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SPACEMAN
fluo
An ancient sculpture. A new body. A color impossible to ignore.
The “Spaceman Fluo” series is born from the encounter between two worlds that only seemingly lie far apart: classical sculpture and the astronaut, ancient myth and space iconography, the memory of art and the energy of contemporary color.
Each artwork takes shape from an icon of art history and transforms it into a new presence. The spacesuit becomes a heroic new skin. The fluorescent color becomes a symbol of the present. The forms of classicism thus return to speak with an immediate power, tailored for contemporary spaces and capable of creating a strong, recognizable, and memorable focal point.
Spaceman Fluo is a series also designed for those who desire a high-impact visual artwork capable of merging culture, design, and contemporaneity. A sculpture that does not fade into the background. A presence that alters the space around it.
The artworks in sizes S and M are crafted in resin, while the L and custom sizes are made of steel.
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SPACEMANshine
A luminous sculpture. A pop body. A signal from the future.
With Spaceman Shine, Filippo Tincolini brings the astronaut into a new visual dimension: brighter, more magnetic, and closer to the radiant imagery of contemporary culture.
The astronaut, an emblem of pop culture and a symbol of technological progress, space exploration, and sci-fi adventures, reveals itself through a fluorescent surface and an almost radiant presence. It is no longer just a sculpted figure: it is an apparition, a signal, a body that seems to arrive from a luminous elsewhere.
The fluorescent paint is a nod to starlight, cosmic glows, and the luminous tracks that cross space. Yet, it also references the ephemeral nature of fame, the desire to be seen, and the continuous tension of pop culture toward whatever glitters, seduces, and leaves a lasting impression.
The artworks in sizes S and M are crafted in resin, while the L and custom sizes are made of steel.
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SPACEMANmarble
An absolute material. A contemporary body. A timeless presence.
This series is born from the encounter between the astronaut one of the most contemporary images of our collective imagination and Michelangelo Statuary Marble, the most noble material in the history of sculpture. A stone steeped in memory, bound to the quarries of Carrara, to the great Italian tradition, and to the very history of sculpted form. A luminous, compact, and deep material, capable of transforming any volume into a solemn and definitive presence.
Within the Michelangelo Statuary marble, the Spaceman changes its nature. The spacesuit loses any sense of transience and becomes a heroic new skin. The technological imagery is held back by the stone, slowed down, and made eternal. That which belongs to the future is handed over to the permanence of marble.
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SPACEMANbronze
An ancient body. A symbol of the future. A sculpture that traverses time.
With the bronze series, the Spaceman meets one of the oldest and most noble materials in the history of sculpture. The astronaut, an emblem of pop culture and a symbol of technological progress, science fiction adventures, and possible futures, takes on a new expressive force in bronze. It is no longer just a figure linked to the conquest of space: it becomes a presence outside of time, suspended between memory and modernity, between archaeology and vision.
Bronze, a millennial material that has accompanied art history for over five thousand years, lends a more solemn quality to the artwork. Its surface captures and reflects light with shifting intensities, through patinas, reflections, and chromatic variations that make each sculpture feel alive and deeply physical.
In this version, the Spaceman becomes a temporal bridge: a body born from contemporary technological imagery, yet entrusted to a material capable of enduring through the ages. Bronze does not dampen the futuristic dimension of the artwork; on the contrary, it reinforces it, transforming the astronaut into an icon destined to last, as if the future had already become memory.
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SPACEMANinox
A metallic body. A mirrored surface. An astronaut in dialogue with light and space.
In stainless steel, the astronaut takes on a new presence: more essential, closer to the language of architecture, design, and contemporaneity looking toward the future.
Stainless steel captures light, multiplies it, and reflects it in ever-changing ways. Every reflection modifies the perception of the artwork, transforming the sculpture into a body sensitive to its environment, capable of changing with the viewer's perspective, the time of day, and the very presence of those observing it.
In this version, Spaceman becomes a figure suspended between industrial strength and poetic vision. Steel is not merely a strong and durable material: it is an active, contemporary, almost cosmic surface that transforms the astronaut into a luminous signal of the future.
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